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- WHICH JANE EYRE MOVIE IS CLOSEST TO THE BOOK SERIAL
- WHICH JANE EYRE MOVIE IS CLOSEST TO THE BOOK SKIN
- WHICH JANE EYRE MOVIE IS CLOSEST TO THE BOOK TV
More than any other Jane to date, Gainsbourg’s seems palpably wounded: scarred but intact, cagey, conserving her every word and movement, bearing a heavy burden of experience and ghastly memories on her thin shoulders. Players: Charlotte Gainsbourg and William Hurt (1996) Creep factor: Off the charts
WHICH JANE EYRE MOVIE IS CLOSEST TO THE BOOK SERIAL
He also bears such a ridiculously uncanny resemblance to Jon Hamm-I mean, just look at this-that rediscovering this BBC serial suddenly casts a gloomy mist of Yorkshire romance over Mad Men: Don Draper is Rochester, the impulsive himbo with a sordid past Peggy Olson is Jane, the resilient go-getter and rock-solid feminist Betty Draper is the scary wife locked in the attic, etc. Thus the success or failure of any Jane Eyre (the below list is a mere sampling) hinges on how well the film minimizes its inevitable Creep Factor.Ĭlarke is a shade delicate and wheedling for Jane, but the pre-007 Dalton is a pitch-perfect Rochester: gruff, vulnerable, congenitally infuriated.
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However much we might adore him-and in the end, don’t we love Rochester because we love Jane?-our hero is, objectively speaking, a bit of a creep. And for, oh yes, imprisoning an actual living human being in the attic the whole time. And for forcing Jane to take a front-row seat at his protracted flirtation with snooty socialite Blanche Ingram. Because Brontë’s novel has the internal emotional logic of a brilliant diary, coaxing Rochester out of Jane’s forgiving imagination and onto the screen exposes him to harsher judgment-for, say, not looking before he leaps across the gulf of years, social status, and legal impediments to propose to Jane.
WHICH JANE EYRE MOVIE IS CLOSEST TO THE BOOK SKIN
No matter: The actors are fantastic, and the central challenge of adapting Jane Eyre is more than skin deep. Nor is “plain” a word that describes Mia Wasikowska, who plays Jane in Cary Fukunaga’s handsome reboot-wherein even the madwoman Bertha Mason (Valentina Cervi) is so artfully disheveled that she brings to mind not syphilitic lunacy so much as the Comme des Garçons’ fall 2008 ready-to-wear collection. I am sure most people would not think this of Michael Fassbender, star of the latest Jane Eyre, out this week.
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In the hands of the wrong actor or director, Jane’s integrity and candor might scan as prim saintliness, while her lack of materialism is conduct unbecoming in any Hollywood bride-to-be: “The more he bought me, the more my cheek burned with a sense of annoyance and degradation.” What kind of killjoy wins the marital sweepstakes and refuses a retail victory lap? Or says of her beloved, “I am sure most people would have thought him an ugly man”? A fan’s rainy-day re-readings likely center on the passages set at Rochester’s estate, Thornfield, where the master’s crypto-courtship techniques include disguising himself as a fortune-telling crone and lots of monologuing in Jane’s general direction. John Rivers these sections are hardly the stuff of bonnet-ripping romance. Presented as the autobiography of a “plain, Quakerish governess,” the novel devotes many chapters to the privation and abuse Jane suffers in childhood and, after her aborted wedding, her sojourn with Calvinist drip St.
WHICH JANE EYRE MOVIE IS CLOSEST TO THE BOOK TV
With such an established brand in the public domain, Jane Eyre is reanimated for film and TV with a frequency that belies its resistance to faithful adaptation. Dreamy! Yet in a 2009 poll by British romance publisher Mills and Boon, readers voted Edward Rochester the “most popular hero in literature,” ahead of the likes of Heathcliff, Rhett Butler, and Colin Firth. The most famous line in Charlotte Brontë’s Jane Eyre is “Reader, I married him.” Depending on the reader, it may also be the most puzzling, given that I is a wealthy young woman and him is a one-eyed, one-handed, pushing-40 grump who proposes to a nanny half his age only to admit at the altar that he’s already got a wife and she’s locked in his attic.